Interviewed and shot by: Lensa Bogale
“There she goes again the dopest Ethiopian..” But who really is the girl behind the name? HabeshaLA sits down with Rekik Neway to talk about her rise to social media fame, gaining over 100K+ Internet followers.
Interviewed and shot by: Lensa Bogale
“There she goes again the dopest Ethiopian..” But who really is the girl behind the name? HabeshaLA sits down with Rekik Neway to talk about her rise to social media fame, gaining over 100K+ Internet followers.
Written By: Aida Teklemariam
When I read the 2016’s Oscar nominations and the subsequent outrage, my reaction was an ephemeral sigh. I am a minority filmmaker. I share sentiments that the Oscar nominees are overtly white, predominately male, and averse to inclusion. However, a social campaign like #oscarssowhite is not an effective solution, for the more importantly, film industry diversity problem.
I’ve been fortunate to work in the talent-represented, social-media-checkmark-validated side of the film industry because of my own privileges. I’ve been on production sets with specialized production crews, made salary negotiations, and pitched in meetings with high-level executives. I’ve witnessed, across the many departments, the executives who choose content and crews are college-educated, straight, white males. Numerically, The Academy of Motion Picture Arts and Sciences, comprised of 6,000+ film industry affiliates is more than 90% white.
In 1878, a British-white man, Edward Muybridge, founded film camera technology. After years of use and discoveries by American and Non-American white people, American white people birthed the film industry we know today as Hollywood. Hollywood is notorious for being a nepotistic community. The Coppolas, Baldwins, Apatows, Deschanels, Capras, Douglases, Gyllenhalls, old and new alike, and so many aren’t publicized. IMDb research and my personal experience convey that famous white film executives’, stars’, writers’, directors’, and producers’ offspring and relatives or like-minded friends obtain the bulk of opportunities.
When one doesn’t have familial connections or similar backgrounds, getting through the door can be exasperating. Over the last decade, I can name all the non-white actors who’ve received the most esteemed acting awards: Octavia Spencer, Forest Whitaker, Mo’Nique, Jennifer Hudson and Lupita Nyong’o. I intentionally failed to mention Latin, Asian or Native American actors because the film industry repeatedly fails to grant them substantial opportunities. In 2012, over three-fourths speaking roles of box-office films were played by white people. Likewise, Straight Outta Compton, a story about the Compton-bred rap group, Niggas With Attitude was written by a four-member, all-white writer team. Minority writers with biopic experience are surely available. However, like minority actors, minority writers and directors are snubbed because of lack of privilege and a substantial incentive for the current industry to include them.
The film industry will persevere, primarily white and privileged-exclusive, unless outer forces disrupt current executives’ practices. Profit is king for these individuals. Today, when a film executive sees a potential mass audience, i.e. a franchise, they will produce it, regardless of the leads’ or crews’ ethnic makeup. If minority actors, directors, or writers have an abundant social media following, talent agents will come. Most importantly, if audiences stop buying movie tickets a.k.a. ghosting and explain via social platforms that the lack of diverse casts and crews are the reason, film content and representation will diversify.
To simply tweet #oscarssowhite and remain supporting film as it is is not enough. Truly promote inclusion and overtly start supporting minority filmmakers to see an Oscars and film industry unequivocally diverse.
***.
https://www.youtube.com/watch?v=mjSh7LOqeNA.
Written by Aida Teklemariam
Last spring, when an opportunity to work in Ethiopia arose, I impulsively accepted. It was underpaid, demanding, and abruptly arranged, but in Ethiopia.
My mother who predominately raised me is Black American, by way of Oklahoma. On holidays, I revisited Oklahoma and anticipated my great aunt Alma’s greens and my aunt Kim’s macaroni and cheese. On Sundays, I would wake up to my maternal grandmother, Meme, playing gospel soundtracks and know it was time to get ready for church. Oklahoma, USA was an extension of my native Californian home.
My father, a first-generation Ethiopian American, passed down his family name, vital lessons and distinctive features, yet failed to instill his culture as my mother had. I didn’t develop taste buds that could identify berbere or an appreciation for Ethiopian music. Because my father left Ethiopia when he was a teenager and most of my Ethiopian family members remained in foreign towns, my Ethiopian identity felt partial.
In 2010, after a month-long, introductory visit to Ethiopia, I wholeheartedly longed to revisit and really connect to my father’s heritage. I wanted to learn to attend an Ethiopian wedding, confidently dance eskista and impulsively perform the distinct greetings. I hoped by the end of my forthcoming four-month job, I would finally be familiarized.
When I arrived at the Bole Airport on a 1 a.m. flight from Qatar, my Ethiopian boss/housemate and her American husband warmly greeted and guided me to their minivan. In English, we talked about this being my second time in Ethiopia and how I traveled, more like an American tourist than a native, to Bahir Dar, Axum, Lalibela and Addis Ababa.
Late night in the capitol, Addis Ababa was silent; the many stray dogs roaming soundlessly. We drove I believed an anomaly, a route extremely unlit. We arrived to their home, my temporary home in Gerji Mabratile. The husband opened the preceding gate and the minivan followed. Upon sight, the open window and painted red and yellow home immediately charmed me. I’m showed my back house located room. My boss advises me it may take a few days to get used to the 9-hour time difference and I should come in to the office once I’m up the next morning.
After about four days, I’ve learned my position’s responsibilities and deadlines. My schedule is work tentatively from 8:00 a.m. to 5 p.m., Monday through Friday. Saturday is a half-day, ends at 12 p.m., only if I’ve finished my work of course. My position at the production company is three roles combined because the company’s tight budget. Dinner is promptly served at the house at 7:30 p.m.
Within the first month, I feel as if I haven’t learned anything substantially Ethiopian. My only close relative, my uncle, Masho who lives in Addis is on an indefinite business trip in Somaliland. I begin to worry I won’t have the time or an appropriate environment to promote my ideal Ethiopian identity aspirations. I’m working overtime, full day hours on Saturdays and Sundays; weeks are flying by.
However, within flight, I internalize.
Each morning around 11, or to Americans 5 a.m., mosques, Orthodox and Protestant churches, project their morning prayer over loud speakers. The prayers are tri-daily. Devoted members stop mid-path to pray in unison with the projection. Today is no different. I sleep through it.
My alarm goes off at 12:45. I lie in bed for about fifteen minutes, stretch, check my American IPhone. I untuck my bed’s mosquito net, get dressed, grab for my personal computer bag, purse and TECNO, an Americans’ idea of a knock off Nokia cell phone brand. I go into the main house and politely ask one of the two family’s teenaged housekeeper/nanny/cleaner for breakfast. While I wait for her to reheat the earlier prepared meal, I try to connect to the always-faulty Internet connection.
Traveling anywhere in Ethiopia will be a distinctive journey. You will always encounter individual or entire families of beggars. Similarly, the beggars wear torn and dirty clothing. Contrastingly, some are in good spirits, laughing and playing with other similarly aged beggars; other beggars may helplessly cry because of untreated diseases. Another reoccurring sight is young boys ranging from seven to late teens posted with shoe shines, sponges, blackened water and boisterous scale music to alert walkers of their shoe shining service. I begin my twelve-minute walk to the office. “Nah!” A shoe shining teenager shouts at me. I continue walking.
Initiating conversation in an alternative language other than the national language of Amharic, especially if you look Ethiopian, will prompt surprise, smiles, and accompanying laughter. I barely speak Amharic but I get by.
Throughout the day, families, friends and peers gather to talk and drink varieties of buna. Similarly, meals are shared in a communal setting with one platter of injera and lots of wot or fir fir. I regularly eat fir fir for breakfast. I never cared for fir fir before. I would explain, “injera with spiced injera is weird.” Now, fir fir with leftover meat is one of my favorite breakfast meals. Spaghetti is also commonly enjoyed with injera, one of the remnants of the short-lived Italian colonization attempt. As I get to the main road, I walk past the busy coffee shop, shoe shiners, and bus queues. I subconsciously tighten my grip on my computer bag.
The work environment varies. If you’re a fortunate housewife with an executive level husband or a politician’s offspring, you most likely don’t work a demanding job. The less financially fortunate, old and young alike, work strenuous or academic jobs in order to provide for their families. Some young men steal if you’re carelessly holding possessions. I enter the third floor main office of my job, say, “Denaneh, Denanesh or Endegntna” and proceed to the fourth floor main office. The youngest member of the production crew is wearing the same clothes from the night before and has been filming my boss since last night. “Selamnew, Endegtna?” I ask as I rush to my office.
The Ethiopian government determines what students will study in college based on test scores. If one tests well, they are practically promised a high earning job, i.e.) doctor, C.E.O. or engineer. Students that test well, typically come from families that are financially adept and have been able to provide additional resources to further their education. When students completely lack financial support or transportation, parents typically encourage children to start work as soon as possible whether it to be a housekeeper or shoe cleaner. One of my household’s housekeepers told me she started cooking school when she was thirteen. An Ethiopian’s adult occupation can be determined as early as age five. I print the shot and b-roll lists I produced the night before. The child talent, who lives in the surrounding middle class apartment complex to the office, enthusiastically plays with the nearby puppets.
The child talent, production crew, and I grab the film equipment and props and head to the company car. The six-member team drives to the shooting location, my overworked and I assume underpaid production assistant arranged. As we drive, I ask the hired driver to slow down. He doesn’t. Many male drivers in Ethiopia irrationally drive to their destinations.
Ethiopia isn’t very dangerous but danger has touched mostly everyone at some point. Every person with a compound, Americans’ idea of a house has gates and accompanying wires or broken glass bottles borders to keep intruders out. Likewise, the randomly dispersed shanties are protected by tin walls, which separate them from the desolated land they’re built on. Most of these are one-room homes separating a TV-focused living room section and bedroom section with a curtain. Regardless of your home, traditionally, children and adults don’t move out of their parents’ home until they are engaged.
We finish the two-hour shoot at 9. There are a lot of pregnant women around my age staring nearby. In my office, a co-worker who’s about my age who got married last month is confidently revealing her four to five-month pregnant belly. On the weekends, young adults go to neighboring, club-focused cities and rent inn rooms to ultimately have sex. The pregnant women smile and laugh as we drive away. The youngest crewmember jumps out to meet with friends standing at a nearby queue.
It’s 2, or to Americans, 8 p.m. I knock on my home’s compound gate to be let in by one of the housekeepers.
“Manew?”
“Aida”, I respond.
I set my stuff down and try to connect to the Wi-Fi while the other housekeeper warms dinner. The Wi-Fi is down and once the food touches the table, the power goes out. The housekeeper and I laugh.
I enter my dark room via a candle and my iPhone flashlight. I pull out my computer to finish some production documents for the next day. After an hour or so, the light turns on and the Internet connects. I go on Facebook and see a glimpse of the crafted social lives my American friends portray. Likewise, Ethiopians’ Facebook profiles consist of vague religious posts and mall photos taken in the Bole area. An avid Facebook mall photo poster and family friend calls to ask if I want to get coffee, I deny. I head into the main house to help pick out my bosses’ seven-year-old daughter’s outfit for her proceeding first day of the privileged French school.
After living in Ethiopia for four months, I’ve consumed a lot of Ethiopia. I discovered my father left Ethiopia for opportunity and still to this day being granted international visas is regarded a privilege. I witnessed the socioeconomic disparities and heard tragic stories of unpublicized government wrongdoings. I listened and related to native Ethiopians’ universal dreams. I experienced that Ethiopian culture and daily life is too complex to explain via phone conversation or Internet posts. And finally, I understood, after so many years of analyzing my lack of Ethiopian identity from America that regardless of my current location, food I eat, music I listen to, and language I speak: My Ethiopian identity is inherent. ***.
In honor of women everywhere, Habesha LA vlogger Bethlehem Awate is creating a space to discuss all things female! Subscribe to her channel and join in on the conversation!
https://www.youtube.com/watch?v=bHnKUze3TjM.
Interviewed by Aida Solomon
Formerly known as EthioSkate, Megabi Skate is a non-profit organization founded by Israel Dejene based in Addis Ababa, Ethiopia, is a musician turned skateboarder that brought back his obsession with boarding to his neighborhood of Shiro Mede. HabeshaLA sits down with Dejene to discuss the future of skateboarding in Ethiopia.
HabeshaLA: Tell us a little bit about yourself.
Israel Dejene: I grew up in Addis Ababa, in the Shiro Mede neighborhood. I went to Addis Ababa University and studied music at the Yared School of Music. I founded the Ethiopian Adopted Association that allows adopted children to come back to Ethiopia and find their roots and family. I later on started a tour company, where people can truly understand the culture [of Ethiopia]. I helped a group of doctors from the US help build clinics in rural parts of Ethiopia. I really love to be involved in the community, develop the community in different ways.
Nowadays, I’m focusing more on Megabi Skate. It’s a youth center, using skateboarding and empowering the youth through skateboarding.
HabeshaLA: How did you start Megabi Skate?
Israel Dejene: About ten years ago, my brother and sisters and I had a chance to perform our music in Sweden, so that’s the first time I saw skateboarding. Before, I [had only see it on the TV. I straight went to the guys, and said, “Can you teach me how to do this?” and they showed me. I stayed three months and I fell in love with it [skateboarding]. A friend gave me a skateboard, and I brought it back to Ethiopia.
I started to skate with a few friends around different parts of at night to avoid traffic. In the next couple of years I started teaching the youth in my neighborhood how to skateboard, and we slowly started to become a group. It became a big movement.
HabeshaLA: Skateboarding is not a common sport in Ethiopia. How did you get people interested to try it?
Israel Dejene: I remember the first time I saw skateboarding on TV, and how I was shocked to see how the skateboard looks like it sticks to their feet. I see the same reaction from the kids who join Megabi Skate. When I go skating and try to do an Ollie and other different tricks, and the kids come and see it and are amazed. They got so stuck. They asked me right away to show them how to skateboard. It brings people together. Back then, the only skateboard we had was the same one I brought back from Sweden. It transformed the community; even the police supported our movement.
HabeshaLA: Aside from the skateboarding, what other resources does Megabi Skate provide for the community?
Israel Dejene: We have this thing called the Dream Big Stage. Every month, we have a talent show where the kids can perform their different talents for the community. The other one is Make Somebody Happy Day, which is every Saturday after the skate session; all the skaters will go around the neighborhood and do something positive for one person and give back.
We started in my community, but now kids come from every corner of Ethiopia every weekend. When I was growing up, I saw a lot of kids getting into trouble, getting drunk.
I wanted to do something, build a youth center, where kids could come and be inspired, but I didn’t know how to start. One day, my Mom shared to me the story of Moses. Moses was bringing the people from Egypt, from slavery, taking them to the Promised Land, and he stopped at the Red Sea, and the enemy’s following behind them. That was the moment where he didn’t know what to do. God told him, “Hey, use the staff that you have,” and then he used that…
HabeshaLA: and parted the water.
Israel Dejene: My mom told me, “If you want to do something, you don’t have to look elsewhere. God has given each and everyone of us a gift. Look at what you already have.” That was the moment. I didn’t fall asleep that night.
I thought about what do I have? I have my music, and I have my skateboard. That was the spark for me. Now, every time I travel, I bring back skateboards. When I have friends travel to Addis, I ask them to bring me boards. Nothing else. Megabi Skate is a place where the kids can find their true talent and empower themselves. It’s about building their confidence no matter their circumstance.
HabeshaLA: There is a film being made about Megabi Skate. When can we expect to see it?
Israel Dejene: Yes, there are actually two documentaries that have been made. One is called Dream Big—Skateboarders in Ethiopia that was aired on ABC and ESPN. Tony Hawk, Nyjah Houston, and other pro-skaters joined Megabi Skate to help build a concrete half-pipe in Ethiopia. We are also filming a documentary over the last two years that we hope to premiere by the beginning of 2016.
HabeshaLA: What can we be expecting from you guys in the near future?
Israel Dejene: We are working with California Skate Parks to build another standard concrete skate park. We’re also including a music studio, computer lab, and library for the youth. We want to expand and build skate parks through Ethiopia, with a Dream Big Stage at each one.
HabeshaLA: Do you have any future plans in music?
Israel Dejene: Yes, I do. I studied trumpet and piano at the Yared School of Music for four years, as well as masinko. Lately, me and my brother and sister started making experimental music the last 10 years.
My dad is from the southern region of Ethiopia, Gamo-Gafo. They make polyphonic music, making their vocal chords go up and down. It’s so beautiful and unique. We thought it would be cool if we can make modern music using polyphonic sounds. We’ve performed in Europe in different festivals, and now are working on a new album. I also perform reggae music on the side.
HabeshaLA: Any last words?
Isreael Dejene: I tell the kids, that when we think of our dreams, we think of 10, 20 years from now and forget about today. The future is within you. If I take one step forward or to the left or right, each step is a step towards your destiny.
***.
It’s video Friday!! This week our resident vlogger takes it back to her week in LA, and her first ever
whisper challenge! The result of this challenge will leave you laughing! Perfect for Friday! Thank you for your continued support, and as always don’t forget to like, comment, share, and SUBSCRIBE!
https://www.youtube.com/watch?v=TVxNPFgMTiw.
Habesha LA vlogger, Bethlehem Awate, is back in the city of Angeles to cover an event. Subscribe to her and follow along as she takes you around the city, and gives you a behind the scenes glimpse into the work of PR. See day 1 of her trip below.
https://www.youtube.com/watch?v=phaE4nhiNo8.